IN FOCUS: A LOOK BACK AT 2025

IN FOCUS: A LOOK BACK AT 2025

- By Creative Team -->

KNOTFEST.com contributing photographers submit their highlights of the year and tell the story captured with a single click. 

Serving as documentarians and storytellers in their own right, the live music photographer has an especially important job. Armed with a camera and a sharp sense of observation, they manage to identify important moments through their viewfinder that often have much bigger context than one click can capture. 

Taking inventory of the year, the team of contributing photographers at KNOTFEST.com were asked to give some context to one of their favorite photos from 2025. Turning the floor over the team, each contributor spoke to the bigger picture, behind their images and gave credence to the old adage of a picture painting a thousand words. 

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Oasis at The Rose Bowl on a Fujifilm P&S. 

Quite easily the greatest concert I’ve ever been to. - OSCAR RODRIGUEZ

I managed to see Turnstile with Speed at Exposition Park in LA. It was the largest show I’ve ever seen them play here and the occasion felt special. I walked around during their set and tried to capture a moment from the crowd with this shot that has a unique perspective.  - @BYERICALAUREN
 

It was a wild weekend in Long Beach at the Warped Tour 2025 Festival. On the closing night, I had one chance to capture a shot that truly reflected the massive scale of the event. I was officially off the clock and exhausted from a grueling weekend, but I wanted to go out with a bang.

The journey to the top of the Long Beach Convention Center was no small task. The elevator only took me part of the way. From there, I climbed multiple flights of stairs, crossed sections of wooden scaffolding, and faced one final obstacle—a narrow escape ladder leading to the rooftop. After making the vertical climb, I finally stepped onto the roof.

Up there, the security team was stationed to monitor the crowd from above. With their help, I was able to safely get close to the edge and capture the closing night of Warped Tour 2025. Standing above 60,000 fans with the Long Beach skyline stretching out beyond them was completely surreal.

Without a doubt, it was one of my absolute favorite moments of 2025. - MAURICE NUNEZ

It’s been almost 10 years since I had been back to the Echoplex - a venue with no frills, no photo pit, no pretense, and for a select number of fans, no deodorant. 

Right before the band took the stage, the Dodgers won their second consecutive World Series and the crowd was in a frenzy as the news spread. Singer and guitarist, David Davidson greeted the fans with “go Dodgers” before unleashing one of the most brutal sets that I’ve seen. 

This photo stuck out for me because it was taken amongst the chaos and fury of stage divers, mosh pit enthusiasts, and headbangers. - STEVE ROSE

December 27th, a small group of Chain employees spanning many generations, along with friends and family, including members of Thrice, Terror, Poison the Well, and many of the bands who helped put Chain on the map globally, all came together to say one last goodbye.

We gathered outside to talk as more and more friends arrived, then slowly made our way inside for a final trip to the merch table to grab the last piece of merch, a Charlie Brown inspired take on the cover of Through Being Cool by the infinitely supportive Violent Gentleman. As the show began, our longtime friend, “box office dude,” and eventual owner of Chain Reaction, Andy Sarrao, jumped on stage to thank the faithful crew who helped keep the place running for so many years, specifically Kevin O’Connell for his decades of service to our community.

After all the intensity of the weeks prior, it was so special to gather without any publicity or crowds outside to watch Chris Conley of Saves the Day sing the final requiem. Chris did his best to lighten the mood between songs while we slowly realized this was it. We couldn’t avoid it anymore. We were attending a funeral for a large piece of our childhoods.

As he made his way through the familiar album, which felt like an hourglass slowly emptying, we realized we had one last memory to be had. We slowly snapped out of it and sang the anthems of our underground like we had for so many years before. As the somber room started to feel a little lighter, Chris was joined by a close friend of Chain, Vadim Taver (This Day Forward / Poison the Well), to perform Basket Case and finally Dammit, which felt fitting, because “Well, I guess this is growing up.”

The night continued with group photos, great stories, and new memories, along with friendships many years in the making. As the night wound down and the group within the group stuck around for emotional toasts and one final “last chance to dance,” I snuck away, trying to burn as many pieces of Chain onto as many frames of film as possible, in an effort to say goodbye to the room where my photography and live music journey began.

CHAIN FOREVER (1996 - 2025) 

- ROB WALLACE

Looking back at old Rock Fest images, it felt right to put my appreciation for the Knotfest crew out in the open. They found me through a friend at Rock Fest in Cadott, Wisconsin, just hours before Corey Taylor took the stage, and it’s been gravy ever since.

Coming out of COVID, the industry was cautious. Now, I’m covering festivals like Milwaukee Metal Fest, Riot Fest, Knotfest Iowa, and Rock Fest. Along the way, I’ve documented Refused on their final run, Acid Bath’s return, and countless other moments just this year.

I chose a photo from Rock Fest 2025 because that’s where it all started. Rob Zombie’s set is especially sentimental, since I was in the pit during his 2021 show when my info first made its way to the Knotfest crew.

No one does the camping, partying, and festival experience like Rock Fest, which is why I return every year with my Rock Fest family that spans across states. We all met randomly at the festival, and that’s what makes it special. Knotfest 2026 is shaping up to be something special, and I’m hungrier than ever to capture what comes next. - JUSTIN NUOFFER

In November, I was able to shoot Loathe finish their Sold Out US Tour at The Belasco Theater in Downtown Los Angeles. It felt less like a performance and more like a statement. As a house photographer at The Belasco and a photographer in adjacent but different worlds, this show landed differently. 

In recent years as a house photographer and more recently with Knotfest it has quietly opened the door into heavier music, and it’s been creatively therapeutic. Loathe’s set was immersive and the kind of performance that rewards instincts and punishes hesitation. Genre lines are thinner than we believe, and growth happens when you’re trusted with rooms, artists, and scenes that push you out of muscle memory. For me, shooting heavier music has gone from unfamiliar to essential and this shows like this are exactly why. - SAM SCARCE

For the last 5 years I have been fortunate enough to start off the year strong with TSOL. Every year they celebrate their anniversary of being a band. This photo is from their 45th anniversary show back in January. I am forever grateful that this band took me in and let me do my thing. I started off filming and editing recaps of their live shows then as the years passed by I would help out with the marketing of the shows. I would have never been able to learn or practice digital strategies for band/events if it wasn't for TSOL. I've grown so much because of this band. I just want to say a HUGE THANK YOU to Jack, Ron, Mike, Greg, Antonio, Brandon, Landon, and the rest of the TSOL crew for allowing me in with open arms. - JERRY CASTILLO

The photo was taken at Dia De Los Deftones 2024, but was used for the Revolver Fall 2025 issue. It was actually part of a deluxe collector's bundle- my cover was inside of a slipcase, which my good friend Vanessa Caron-Cantin took. 

This was an absolute dream come true. I was speechless when I saw it for the first time. Deftones are my favorite band, and being able to work with/alongside them during my career has been insane. I can't even describe it. I am forever thankful to the band and their amazing team at Velvet Hammer. This was a bucketlist moment for sure.

Like many photographers/freelancers, 2025 was probably my worst year yet. It's been pretty easy to slip into the self loathing "I'm not good enough/I suck" cycle, even though almost everyone I know is going through the same thing. Seeing my photo on this cover gave me hope and ignited the spark I felt like I had lost.  - DANIELLE PARSONS
156/Silence spent 2025 riding high off the strength of their late 2024 release, People Watching, cutting through the noise of a busy scene and cementing their name as current favorites in the metalcore scene. But the year was also marked early on by the sudden, devastating loss of bassist Lukas Booker in March, forcing the band to carry a heavy weight with them as they soldiered on - and turning every subsequent show into an unofficial tribute to their friend. Here’s a photo I took of Booker in January, playing with his bandmates as they headlined Chapel of Bones in Raleigh, NC. - NICK DELGADILLO

 

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