Harakiri For The Sky Scream To The Heavens On New LP, 'Scorched Earth'

Harakiri For The Sky Scream To The Heavens On New LP, 'Scorched Earth'

- By Creative Team

‘Everything's changed for the worse,’ cofounder and vocalist Michael "JJ" V. Wahntraum says. ‘I don't think that the world takes a good turn for now.’

Words by Kurt Orzeck 

What is a band of musicians to do after theyve completed what will almost surely go down as their magnum opus? We already hear your canned responses—“Be grateful you managed to pull it off!,” “Get started on the next one!,” etc. But for anyone who knows the difference between an artistic endeavor and messing around on their home computer, its a legit question. Harakiri for the Sky cofounder and vocalist Michael "JJ" V. Wahntraum seems to agree in an interview with Knotfest conducted shortly before Fridays release of Scorched Earth (AOP), Harakiri for the Skys eighth record.

From issues regarding climate change and the resulting ecological disasters to political upheavals and insurgencies to the seemingly unsalvageable decimation of institutions in countries across the globe, no theme better sums up international social behavior in 2024 than "scorched Earth.” And no metal band articulated the forces behind that anarchic spectre and resulting phenomenon than Harakiri for the Sky, the fearless and unparalleled post-black metal band that has led the charge channeling these topics while simultaneously boldly going where no other band in the subgenre (yes, even Paysage d'Hiver, Bosse-de-Nage and other reputed acts of similar ilk) dare venture.

 

We see Scorched Earth as some kind of conclusion, musically and lyrically,” Wahntraum confesses. Musically, it felt to us like we took every good thing we made in the first five albums. And this is how [this album] came out. I can't find any word other than conclusion.’”

Now theres a candid comment you dont hear every day, whether it be from an artist, musician, public figure—or whoever, really. Equally anomalous—and what makes Germanys Harakiri for the Sky a true diamond in the rough [or in the sky]—is that theyve kept their promise to do their own thing, without anyone telling them what to do, since forming in 2011. Sure, it cost them popularity and financial gain—be honest, had you heard of Harakiri for the Sky before reading this article?—but Wahntraum expresses no qualms about it. Especially because, if Harakiri for the Sky had devised a more rigid plan for Scorched Earth, they wouldve had to feed it into the shredder anyway.

[Scorched Earth] took more time because of COVID,” Wahntraum stipulates. The real bad thing about having that much time is you're sitting at home all the time, you have no motivation. And when you have no input from the outside—because you can't leave your city or your flat or whatever—you also have no creative output. And so it all took a little longer than usual.”

Nonetheless, Wahntraum takes a glass-is-half-full—or maybe a sky-is-half-clear—view of the world.

That actually meant we had no hurry, but [it turned out to] be a good thing,” he concedes. Four years between two albums is not our usual length we would take—but it's also not too long a time.”

 

If Wahntraum comes across as lackadaisical, thats because he is. Having grown up in a village in the Alps with fewer than 10,000 residents, he has a broader and more worldly perspective than most of his peers. Rather quietly, Wahntraums fairly reclusive collective crafted eight albums since forming in 2011, and theyve proven to be widely influential because of the bands ability to segue so fluidly from post-metal to post-rock—all the while making the occasional black-metal or post-hardcore pit stop along the way.

Even though Harakiri in the Sky are arguably more responsible than Deafheaven for forging the so-called black-gaze” sound, Wahntraum isnt the guy who would harbor any resentment or ill will about such a thing. Quite frankly, neither vocalist probably cares much about such vocabulary.

 

Now animals—theres a topic Wahntraum is jazzed to discuss. Astute observers may have noticed that Harakiri for the Skys albums each depict an animal on the cover. While each piece of album artwork is unnerving, the one adorning Scorched Earth may be the most horrifying of all: a pack of satanic-looking goats headed right at ya.

There's a reason why the album is called Scorched Earth, because the world is burning,” Wahntraum justifies. All this geopolitical shit is always a little bit difficult, but generally … everything's changed for the worse. There is no middle way, it seems. There's just radicalism on both sides. It fears me. I don't think that the world takes a good turn for now, but I don't know.”

With that in mind, it seems like now is an opportune time for Harakiri to start a new chapter in their career. And maybe the rest of us would benefit by doing the same.

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Scorched Earth, the new album from Harakiri For the Sky is now available via Nuclear Blast Records. Get the album - HERE

Catch Harakiri For the Sky live as the band embarks on the Shining Over North American Tour next month with Swallow the Sun along with Ghost Bath and Snakes of Russia. Shortly after the band's trek of the US, Harakiri For the Sky will begin their European headlining tour, in the Scorched Europe Tour kicking off in April. 

Get a complete list of dates and cities below. Get tickets - HERE

HARAKIRI FOR THE SKY TOUR DATES

Europe
Jan 24 - Hamburg, DE - Kultur Palast
Jan 25 - Burglengenfeld, DE - VAZ
Jan 26 - Lindau, DE - Club Vaudeville
April 2 - Budapest, HU - Barba Negra
April 3 - Vienna, AT - WUK
April 4 - Munich, DE - Backstage
April 5 - Warsaw, PL - Hybrydy
April 6 - Prague, CZ - Futurum Bar
April 7 - Leipzig, DE - UT Connewitz
April 8 - Berlin, DE - Lido
April 9 - Copenhagen, DK - Lille Vega
April 10 - Esjberg, DK - Tobakken
April 11 - Herford, DE - Kulturwerk
April 12 - Weiher, DE - Music Hall
April 13 - Cologne, DE - Kantine
April 14 - Utrecht, NL - TivoliVredenburg
April 15 - Neunkirchen, DE - Geblasehalle
April 16 - Paris, FR - La Machine du Mouloin Rouge
April 17 - Zwolle, NL - Hedon
April 18 - Bruges, BE - Cactus Club
April 19 - Aarau, CH - Kiff
April 20 - Geneva, CH - L'Usine

North America
Feb 20 - Detroit, MI - Sanctuary
Feb 21 - Toronto, ON - Velvet Underground
Feb 22 - Montreal, QC - Fouf's
Feb 23 - Boston, MA - Brighton Music Hall
Feb 24 - New York, NY - Gramercy Theater
Feb 25 - Baltimore, MD - Baltimore Soundstage
Feb 26 - Greensboro, NC - Hangar 1819
Feb 27 - Atlanta, GA - The Earl
Feb 28 - Orlando, FL - Conduit
Mar 1 - Pensacola, FL - Handlebar
Mar 2 - Houston, TX - Bronze Peacock @ House of Blues
Mar 3 - Austin, TX - Come And Take It Live
Mar 4 - Albuquerque, NM - Launch Pad
Mar 5 - Phoenix, AZ - Rebel
Mar 6 - San Diego, CA - Brick By Brick
Mar 7 - Los Angeles, CA - Echoplex
Mar 8 - San Francisco, CA - Neck of the Woods
Mar 9 - Portland, OR - Bossanova Ballroom
Mar 10 - Seattle, WA - El Corazon
Mar 12 - Salt Lake City, UT - Metro Music Hall
Mar 13 - Denver, CO - Bluebird Theater
Mar 14 - Omaha, NE - Reverb
Mar 15 - Chicago, IL - Reggies
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